Commentator: "Thank you all for attending this lecture given by Barry Cleveland of Guitar Player Magazine. We're going to open the floor to audience members with questions for Mr. Cleveland. Yes, you sir!"
Well-dressed man: "Mr. Cleveland, I'm interested in Nels Cline, would you tell me a little about his background?"
Barry Cleveland: "Sure thing. Once labeled 'the world’s most dangerous guitarist' for his explosive New Music explorations, Nels Cline has more recently been seen weilding a Jazzmaster alongside Jeff Tweedy as the newest member of Wilco."
Commentator: "Any more questions? Yes, madam."
Well-dressed woman: "So what's the deal with this new 'Giant Pin' record I've been hearing so much about? Do they actually sing? Are there actually more than one of them as the name would suggest?"
Cleveland: "Fine questions, ma'am. On this second release by the Nels Cline Singers—which, by the way, does not include any vocalists—Cline and company conjure up oddly compelling forms ranging from haunting and ethereal jazzistry to monstrously massive nuevo-metal noise sculptures. Joining Cline are veteran improvisors Devin Hoff (acoustic bass) and Scott Amendola (drummer/percussionist/ electronics wizard), along with contributions from keyboardist Jon Brion and “vocalist” Greg Saunier—who each bring a fascinating array of harmonic conceptions and timbres to the party."
Commentator: "I have a question that I'm sure our guitar-obsessed audience would like to know--what sort of pedals and effects does Cline employ on the new record?"
Cleveland: "Oh, lots of effects are on display here as well—including killer Echoplex, feedback, and harmonizer sounds—but they are masterfully played like instruments and function as an integral part of the music."
Commentator: "That's great to hear, I was worried. Last audience question yes, you sir."
Scruffy jazzhead: "I don't have time to listen to the whole album. Which are the best tracks?"
Cleveland: "Highlights include the early-’70s King Crimson-like 'He Still Carries a Torch for Her' and 'Something About David H.,' the wonderfully dissonant chordal bass work on 'The Ballad of Devin Hoff,' and the lovely lyricism of 'Watch Over Us.'
Commentator: "I just wanted to thank Mr. Cleveland of Guitar Player for speaking with us today. Next week, we will host President Bush and Senator Kerry in a fourth debate on the topic of advanced tonal harmony. Have a good night everyone."